Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Ilya Yefimovich Repin
Portrait of the composer Anatoly Konstantinovich Lyadov

ID: 89690

Ilya Yefimovich Repin Portrait of the composer Anatoly Konstantinovich Lyadov
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Ilya Yefimovich Repin Portrait of the composer Anatoly Konstantinovich Lyadov


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Ilya Yefimovich Repin

1844-1930 After training with a provincial icon painter and at the St. Petersburg Academy of Fine Arts, he visited France and Italy on an academy scholarship. On his return he began painting subjects from Russian history. In 1873 he achieved international fame with Volga Boatmen, a grim, powerful image that became the model for Soviet Socialist Realism. Among his best-known works is Ivan the Terrible and His Son Ivan (1895), depicting Ivan's murder of his son. He also painted vigorous portraits (including Leo Tolstoy and Modest Mussorgsky). In 1894 he became professor of historical painting at the St. Petersburg Academy.   Related Paintings of Ilya Yefimovich Repin :. | Self-portrait. | Self-portrait at work | Obruchev | Portrait of the composer Anatoly Konstantinovich Lyadov | Dragonfly. Portrait of Vera Repina |
Related Artists:
Girolamo Induno
13/12/1825 - 18/12/1890
Peacock, Joseph
Irish, 1783-1837
Casilear John William
American Hudson River School Painter, 1811-1893 was an American landscape artist belonging to the Hudson River School. Casilear was born in New York City. His first professional training was under prominent New York engraver Peter Maverick in the 1820s, then with Asher Durand, himself an engraver at the time. Casilear and Durand became friends, and both worked as engravers in New York through the 1830s. By the middle 1830s Durand had become interested in landscape painting through his friendship with Thomas Cole. Durand, in turn, drew Casilear's attention to painting. By 1840 Casilear's interest in art was sufficiently strong to accompany Durand, John Frederick Kensett, and artist Thomas P. Rossiter on a European trip during which they sketched scenes, visited art museums, and fostered their interest in painting. Casilear gradually developed his talent in landscape art, painting in the style that was later to become known as the Hudson River School. By the middle 1850s he had entirely ceased his engraving career in favor of painting full-time. He was elected a full member of the National Academy of Design in 1851, having been an associate member since 1831






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